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第83章

my name is red-我的名字叫红-第83章

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pleasurably and confidently—had you seen them; you would’ve said this artist 
is no illustrator; but a calligrapher。 I was gazing at my hand with awe; while it 
moved as if it belonged to another。 These spectacular arcs became the horse’s 
ample stomach; solid chest and swanlike neck。 The illustration might’ve been 
considered  plete。  Oh;  the  talent  of  which  I  am  possessed!  Meanwhile;  I 
looked to see that my hand had traced out the nose and open mouth of the 
strong and joyful horse and laid down the intelligent forehead and ears。 Next; 
once  again;  look  Mother;  how  beautiful;  I  merrily  drew  another  arc  as  if 
scripting a letter; and I was moved to the verge of laughter。 I swooped down in 
a  perfect  arc  from  the  neck  of  my  rearing  horse  to  its  saddle。  My  hand 
occupied  itself  with  the  saddle  as  I  proudly  regarded  my  horse;  now  ing 
into being; with a robust; rounded body not unlike my own: Everyone will be 
stunned by this horse。 I thought about the sweet ments Our Sultan would 
make when I won the prize; He’d present me with a purse of gold coins; and I 
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had the urge to laugh again as I imagined how I’d count them at home。 Just 
then; my hand; which I gazed at out of the corner of my eye; finished with the 
saddle and took my brush to the inkwell and back before I began the horse’s 
rump with a chuckle as though I’d told a joke。 I briskly outlined the tail。 How 
gentle and curvaceous I made the rear end; lovingly wishing to cup it in my 
hands like the gentle butt of a boy I was about to violate。 As I smiled; my clever 
hand finished with the hind legs; and my brush stopped: This was the finest 
rearing  horse  the  world  had  ever  known。  I  was  overe  with  joy;  happily 
thinking about how much they would like my horse; how they would declare 
me the most talented of miniaturists and even how they would announce at 
once that I was to bee Head Illuminator; but then I considered what else 
those  idiots  would  say:  “How  quickly  and  joyfully  he’s  drawn  this!”  For  this 
reason  alone;  I  was  worried  they  wouldn’t  take  my  wonderful  illustration 
seriously。 Therefore; I meticulously rendered the mane; nostrils; teeth; strands 
of horsetail and saddle blanket in minute detail so there would be no doubt 
that I had indeed labored over the illustration。 From this position; that is; the 
rear  lateral  view;  the  horse’s  testicles  should’ve  been  visible;  but  I  left  them 
out because they might unduly preoccupy the women。 Proudly; I studied my 
horse: rearing; moving like a tempest; strong and powerful! It was as if a wind 
had  kicked  up  and  set  elliptical  brush  strokes  in  motion;  like  the  letters  in  a 
line  of  script;  yet  the  animal  was  also  poised。  They’d  praise  the  magnificent 
miniaturist  who  drew  this  illustration  as  if  praising  a  Bihzad  or  a  Mir 
Musavvir; and then; I; too; would be like them。 
When I draw a magnificent horse; I bee a great master of old drawing 
that horse。 
 
 
   
301 
 
I AM CALLED “STORK” 
 
After the evening prayers I intended to go to the coffeehouse; but they told me 
there  was  a  visitor  at  the  door。  Good  tidings;  I  hoped。  I  went  to  discover  a 
messenger  from  the  palace。  He  described  the  Sultan’s  contest。  Fine;  the 
world’s most beautiful horse。 You tell me how much you’ll offer for each; and 
I’ll quickly draw you five or six of them。 
Rather  than  say  any  such  thing;  I  maintained  my  reserve;  and  simply 
invited  the  boy  waiting  at  the  door  inside。  I  thought  for  a  moment:  The 
world’s  most  beautiful  horse  doesn’t  even  exist  that  I  might  draw  it。  I  can 
draw  war  steeds;  large  Mongolian  horses;  noble  Arabians;  heroic;  writhing 
chargers  covered  in  blood;  or  even  luckless  packhorses  pulling  a  cartfull  of 
stone to a building site; but no one would call any of them the world’s most 
beautiful horse。 Naturally; by “the world’s most beautiful horse;” I knew that 
Our  Sultan  meant  the  most  splendid  of  the  horses  that  had  been  depicted 
thousands of times in Persia; in keeping with all of the formulas; models and 
poses of yore。 But why? 
Of course; there were those who didn’t want me to win the purse of gold。 If 
they’d  told  me  to  draw  your  average  horse;  it’s  mon  knowledge  that 
nobody’s picture could pete with mine。 Who was it that had duped Our 
Sultan? Our Sovereign; despite the endless gossip of all of those jealous artists; 
knows full well that I am the most talented of His miniaturists。 He admires my 
illustrations。 
My hand abruptly and angrily sprang to action as if wanting to rise above 
all of these vexing considerations; and in one concentrated effort; I drew a true 
horse  beginning  from  the  tip  of  its  hoof。  You  might  see  one  like  this  on  the 
street  or  in  battle。  Weary;  but  controlled…Next;  in  the  same  fit  of  anger;  I 
dashed off a spahi cavalryman’s horse; and this one was even better。 None of 
the miniaturists of the book arts workshop could draw such beautiful animals。 
I was about to draw another from memory when the boy from the palace said; 
“One is enough。” 
He  was  about  to  grab  the  sheet  and  leave;  but  I  restrained  him  because  I 
knew full well; as I know my own name; that these scoundrels would be giving 
up a purse of gold coins for these horses。 
If I illustrate the way I want to; they won’t give me the gold! If I can’t win 
the gold; my name will be tarnished forever。 I stopped to think。 “Just wait;” I 
said  to  the  boy。  I  went  inside  and  returned  with  two  incredibly  shiny 
302 
 
counterfeit Veian gold pieces; which I proceeded to give to the boy: He was 
afraid; his eyes widened。 “You’re as brave as a lion;” I said。 
I removed one of the notebooks of forms that I kept hidden from the eyes 
of  the  world。  This  is  where  I  secretly  made  copies  of  the  most  beautiful 
illustrations that I’d seen over the years。 Not to mention the copies that the 
chief  of  the  dwarfs;  Jafer;  in  the  treasury  would  make  of  the  best  trees; 
dragons; birds; hunters and warriors from the pages of volumes locked away; 
that is; if you gave him ten gold pieces; the rogue。 My notebook is excellent; 
not  for  those  who  want  to  see  the  actual  world  in  which  they  live  through 
pictures and decoration; but for those who want to recall the fables of old。 
Flipping  through  the  pages  while  showing  the  images  to  the  pageboy;  I 
selected  the  best  of  the  horses。  I  briskly  poked  holes  over  the  lines  of  that 
picture with a needle。 Next; I placed a clean sheet of paper under the stencil。 I 
gradually sprinkled a liberal amount of coal dust on top; then shook it so the 
dust would pass through the holes。 I lifted the stencil。 The coal dust; dot by 
dot;  had  transferred  the  beautiful  horse’s  entire  shape  to  the  sheet  below。  It 
was a pleasure to behold。 
I grabbed my pen。 With an inspiration that suddenly welled up within me; I 
elegantly connected the dots with quick and decisive strokes; such that as I was 
drawing  the  horse’s  belly;  graceful  neck;  nose  and  rump;  I  lovingly  felt  the 
horse within me。 “There it is;” I said。 “The world’s most beautiful horse。 Not 
one of those fools could draw this。” 
So the boy from the palace would believe this as well; and so he wouldn’t 
explain to Our Sultan how I’d been inspired to draw this picture; I gave him 
three more counterfeit coins。 I implied  that I would give him even more if I 
ended up winning the gold。 Furthermore; he also imagined; I believe; that he 
might soon be able to catch sight of my wife once again; whom he’d leered at 
open…mouthed。 There are many who believe you can tell a good miniaturist by 
the  horse  he  draws;  however;  to  be  the  best  miniaturist;  it’s  not  enough  to 
make  the  best  horse;  you  must  also  convince  Our  Sultan  and  His  circle  of 
sycophants that you are indeed the best miniaturist。 
When I draw a magnificent horse; I am who I am; nothing more。 
 
 
   
303 
 
I WILL BE CALLED A MURDERER 
 
Were you able to determine who I am from the way I sketched a horse? 
As  soon  as  I  heard  I  was  invited  to  make  a  horse;  I  knew  this  was  no 
petition: They wanted to catch me through my illustration。 I’m perfectly 
aware that the horse sketches I’d drawn on rough paper were found on poor 
Elegant  Effendi’s  body。  But  I  have  no  fault  or  style  by  which  they  might 
discover me through the horses I’ve made。 Though I was as certain of this as I 
could  be;  I  was  in  a  panic  while  rendering  the  horse。  Had  I  done  something 
incriminating when I made the horse for Enishte? I had to depict a new horse 
this  time。  I  thought  of  pletely  different  things。  I  “restrained”  myself  and 
became another。 
But who am I? Am I an artist who would suppress the masterpieces I was 
capable of in order to fit the style of the workshop or an artist who would one 
day triumphan

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